高等艺术院校音乐本科教材：音乐英语基础（附MP3光盘1张）_（英），布莱恩·巴顿著_9787103043691

高等艺术院校音乐本科教材：音乐英语基础（附MP3光盘1张）

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　　《高等艺术院校音乐本科教材：音乐英语基础》附示范朗读音响，解决口语听力障碍，注重实用，涵括广泛。

　　The Late Romantic Era
　　The second half of the 19th century is termed either the Late Romantic or the Post Romantic Era between about 1850-60 to 1910 or so， but boundaries are not always asy to draw. It was an era in Europe when many social， political and economic changes occurred. There were many new inventions such as the telephone; interna-tional travel was becoming much easier with the development of the railway system; music education and concerts were also more accessible to the general public. It was lso a time in European history when nationalism was becoming politically more im- portant; and some composers sought to form and develop a nationalist music from their countries of origin.
　　Many new forms and styles of music started to emerge as composers were finding new freedoms to express themselves in deeper personal self-expression; for exam- ple， in different ways， Tchaikovsky and Mahler's music reflected an inner turmoil and anguish of life. Grand opera was a dominant feature of the Late Romantic Peri-od. Wagner， Verdi and Puccini explored new depths of human passion and relation- ships from a psychological point of view. Puccini's operas showed the realism of everyday life-most operas of this period ended in tragedy. Chromaticism was reac-hing it limits as composers looked for now avenues of musical expression and origi- nality. Music was becoming more dissonant with classical harmonies left unresolved and traditional key relationships broken up.
　　Technically， modern music has been said to start in various places， for example， the mysterious opening chords of Wagner's opera Tristan and Isolde， or the open- ing flute solo from Debussy's orchestral piece The A fternoon o f the Faun （that uses all the notes of the chromatic scale in the opening few bars）， or even the music of Mussorgsky with is raw Russian folk-harmonies. Spiritually and emotionally mod- ern music it has been said also to emanate from Mahler's music， which also forms a bridge into music of the 20th century.
　　New styles started to develop such as Impressionism led by Debussy， Neo-Classical- ism led by Stravinsky and the Atonal Modernism of Schonberg. Other major Late Romantic composers of this period， not so far mentioned， would include the sym-phonist Bruckner from Austria， Dvorak， a Czech composer known for his New World Symphony， Grieg-the Norwegian， Dielius-the English Impressionist， Hugo Wolf-the Austrian composer of songs， MacDowell-an American known for his piano concertos and Rachmaninoff-the Russian pianist and composer of sym-phonies， piano concertos and vocal music.
　　……

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