《博学文库·弗吉尼亚：伍尔夫的空间政治与空间诗学》从空间视角研究伍尔夫小说中所描绘的聚会即“派对”场景，旨在重新评估其作品中所隐含的更为广阔的社会视野，以及这种视野与小说形式革新之间的关联。《博学文库·弗吉尼亚：伍尔夫的空间政治与空间诗学》以亨利·列斐伏尔和米歇尔·福柯提出的空间理论为框架，并借鉴了维多利亚·罗斯纳、萨德·洛根、琼·弗里曼等人对私人或日常生活空间的文化研究成果，是对国内伍尔夫研究的进一步深化、拓展和补充。
Acknowledgements
List of Abbreviations
Introduction
Chapter One Escaping the Drawing-room Party： Reconstructing Female Identity， Rewriting the Courtship Plot
1.1 “A Lady Has to Spend Her Life ithe Drawing-room”： VictoriaDrawing-room and the Constructioof Gender Identity
1.2 Party ithe Colonial “Wild” iThe Voyage Out
1.3 Drawing-room Resistance iNight and Day
Chapter Two“The Party Begins ithe Kitchen”： Domestic Servants and Modernist Narratives
2.1 Kitcheand the Constructioof Class Identity ithe VictoriaHouse
2.2 IBetweethe Kitcheand the Drawing Room： The “GeorgiaCook” and Woolf's Literary Modernism
2.3 Clarissa's Party： TheKitchePerspective iMrs. DaHoway
2.4 The Servant's Hand behind Mrs. Ramsay's Dinner： Aestheticizing the Moment of InterruptioiTo the Lighthouse
Chapter Three Parties iLiminal Houses： Outsiders and the De-familiarizatioof the Family Saga
3.1 “AEnglishman's Home Is His Castle”： VictoriaHome and NatioRevisited
3.2 “AAbominable System”： Woolf's Critique of the VictoriaIdeology of Home and NatioiThe Years
3.3 “We Dine ithe Basement”： Remol~ng the English Home， Reworking with “Externality” iThe Years
Conclusion
Notes
Bibliography
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